Sunday, November 1, 2009

Kalari Photo essay

The following photos were taken during my stay at the Hindustan Kalari Sangham in Kerala, South India. Run by a wonderfully generous family, the ashram is also an Ayurvedic treatment/massage clinic as well as a Kalarippayat training centre. Kalarippayat is widely regarded as one of the world's first martial arts and legend has it that a Kalarippayat master brought the art to China, from which it evolved to various other practices (Kung Fu etc...)

A typical massage treatment lasts 14 days and practitioners use no small amount of oil to lather the body before grinding into your sore muscles with their feet. Patients come from all around to have fractures and sprains set and young children can be heard battling at six in the morning.

The evenings are punctuated with elaborate pooja ceremonies, often lasting a few hours. In these rituals different gods and goddesses are worshipped and sacrifices are made. Incense is burned and its in this setting I feel the love for India burst through my heart. I adore the festivals, the ancient traditions and the cathartic devotion people bring.

It was a wonderful, eye opening experience and I am grateful that for me, yet another small layer has been peeled away from the infinite mystery that is India.




Sunday, October 25, 2009

Thoughts on photography and centeredness

I'm into my third week at an ashram in the south Indian state of Kerala. My days are consisting of meditation, reading Osho, practicing Kalarypiyattu (south Indian martial art) and receiving Ayurvedic massage treatments. Its been a much needed and well deserved break from life from photo life in Bombay.

Needless to say, I've had much time to think, or shall I say 'not think.'

As you photographers out there may have noticed, I rarely mention anything technical about photography on my blog. I don't talk about the latest camera, or which lenses I prefer or which strobes are better than others. There's so much of that info out there that's being articulated (and in most ways better than i could articulate). I receive many emails relating specifically to what gear I use and though i don't mind answering, I think there's better questions.

When I look at how much energy and time is spent on photography in my life, I realize that very little of it is spent taking pictures. Taking pictures is the tip of the iceberg, its what everyone sees and judges you by. But like an iceberg, so much lies below and ALL that lies below is used to create the buoyancy for that little chunk above.

Bringing a meditative approach to these 'hidden' interconnected aspects of your craft help immensely and soon you realize that its not just how you take photos but how you walk, eat, spend time with family...because EVERYTHING in life is interconnected. By 'meditative' I mean centered, unshakable within yourself. Its the place where the mind serves YOU, not the other way around which is often the case.

The mind cannot live in the present moment. It lives only in the past or future. It is either thinking about something that happened already or its anticipating some event. The present moment belongs to something beyond the mind.

Sometimes artists and athletes talk about the 'zone.' This is the place of pure awareness, of 'no-mind.' There is no past or future, you're not thinking, you're not doing... you've become.

Its a great place to be when you're shooting. Clients can feel it. Your talent will feel it. Its magic.

But what about when you're not shooting?

Being centered (in awareness) is invaluable when dealing with the difficult client who feels they need to change elements of your contract halfway through a shoot, or decides to take a few months to pay you. Being centered helps you deal with the spoilt model who won't take direction. Being centered helps you when your phone hasn't rung for a month.

Being centered saves you from yourself.

The key is awareness and awareness brings perspective and equanimity. 'Equanimity' is meeting life as it meets you...with grace. Its also understanding that everything is in a state of flux and change, all things shall pass and fortunes can reverse suddenly. Clinging to the ups and down of life can make us ill and ineffective, it creates havoc in your personal life and it becomes harder to make clear decisions.

Meditation is the process of moving beyond 'mind' to a state of pure awareness. It is in this space of awareness, without the doubts and fears and chatter that the mind continuously generates, that we can begin to tap in and manifest what it is we truly want in our lives.

From one photographer to another (or to anyone really) I recommend meditation and centeredness along with your new 5D and I think some time spent with conscious breath would go great with that 24-70.

Learning more about yourself, discovering aspects of your personality, mining the depths of your soul and turning the strobe on your shadows are as fundamental to being a great photographer as any equipment you buy.

Now THIS is the stuff i like talking about!

Sunday, September 13, 2009

Vipassana Meditation

I took the plunge and signed up for a 10 day Vipassana meditation course at Dhamma Giri, outside of Bombay. This will be my second course (my first was back in Canada in 2003) and already the hellishness of sitting cross legged for ten days has started to creep into my head.

No reading, no writing, no eye contact, no phones, nothing...only you and yourself, alone, secluded. I remember how profound, painful and eventually liberating the my first experience was and am curious as to how this one will be different.

Briefly, the goal of Vipassana is the cessation of mental suffering by observing the impermanent nature of mind. Through this 'insight' we develop an equanimity towards pain and pleasure. This is done by a technique of scanning the body and experiencing the 'gross' and 'subtle' sensations within. Because the mind and body are inextricably connected; by observing the natural impermanence (coming and going) of both pain and pleasure in the body, we can also do the same with the mind; anger/happiness, frustration/calmness.

From what I remember its a lot of work, a tremendous amount of work,

But worth it.

Friday, August 28, 2009

Faith and the Art of Taking Risks

I have consciously chosen a career as a working artist. No one pushed me to it, I alone chose my path.

I fully and graciously accept my life as a result of all choices I have made, the defeats I have suffered and the victories won.

That being said, the path of the artist is long and often times difficult path; meandering through the crumbling parched earth of doubt, being cut on the sharp brambles of criticism, both external and internal, squinting through the howling fog of financial insecurity.... anyway you want to describe it, its a journey to be respected.

Eventually though, you begin to find your way. To extend the metaphor further, you learn where to step and where not to step, you learn to wait out storms as opposed to trying to power through them and you realize that there's fellow traveler's out there to help you and guide you...

... but often times as artists we come lose our path and we end up standing on the edge of a huge precipice, a giant yawning chasm of black unknown-ness. Death. Failure.

On the other side of the chasm we can see our path continuing, and it looks so clear and clean, like somebody has swept it. But how to cross the chasm.... there is no bridge. You could go back, thats always an option, but what's back there really?

No, its time to take a risk. Its time to jump.

Only when we jump into that black abyss, into the fear, into the possibility of the unknown do we find what we as artists are made of. Its in this dramatic, faith-filled, insane leap that we grow our wings; long flowing beautiful wings that we never knew we had, wings that will carry us to the other side and set us down on our path again... (or we could fail miserably, hitting the ground in a heap of broken dreams and mushy depression... hence the 'risk' part)

Now this is far from an original analogy, i've read it before but what's more important is that I've experienced it and am experiencing it now.

If we take a step towards our dreams, the universe takes two towards us. Its almost like a law of life, one that we haven't figured out how to measure yet.

one year ago I made a decision. I decided i was going to leave my home town of Vancouver. Vancouver was familiar to me, my family was there, my friends were there, I had a client base there but inside me I felt i was being smothered somehow, as if some latent potential was aching to be brought to light.

Over the years I have become better at listening to that little voice in my head, the one that says "for god's sake, you live once, do it..." So Tonia and I sat down, discussed our future and decided to hit the road.

I had had a dream one night, vivid as can be. I was in India again, practicing yoga, happy, fulfilled. I awoke and I remember thinking to myself; "Bombay, I have to go to Bombay...I don't know why, I just have to." I sold my lighting gear, gave up our apartments, bought a plane ticket to one of the world's most over populated, smelly, dirty but alive cities. We arrived in Bombay knowing one person, a distant friend I hadn't seen in years.

We took a risk, we jumped, but within the universe was listening and gave us wings.

Within six months I had shot some of the biggest Bollywood stars, shot the cover of GQ India, shot for Vogue and an unheard of 22 pages in Harper's Bazaar. I'm working and networking more than I did back home and in an emerging market that's 10 times the size of my sleepy home town.

I think that there are a great many talented photographers in the world and I would be seriously humbled if someone thought I was part of that group, but the fact is, I took a risk...a huge crazy risk that many thought was crazy, including me at times.

So start taking more risks, is my advice. Sure you'll f**k up but life is an art and the more you live it the better you get at it, it just depend on how you want to live it.

peace always...

GQ India Cover story - September 2009

Hrithik Roshan needs no introduction if you happen to be a fan of Bollywood movies. Starring in over 20 films, Hrithik is one of the most recognizable faces in India. Its always a pleasure working with a pro and Hrithik brought it.

Most photos are lit with a single strobe above with beauty dish/softbox. On a few setups we had a back burst with a medium grid to give some separation between Hrithik and the wall.














Styled by Arjun Bhasin
GQ art director: Brendan Allthorpe
GQ Producer/Photo Editor: Gizelle Cordo, Alecka Micklewright
Hair: Kanta Motwani-Kromakay  
Makeup: Vijay Palande
Set Design: Pinakin
Assistant Stylist: Tania Fadte
Photography: Martin Prihoda







Thursday, August 27, 2009

Harper's Bazaar "India Revisited" September 2009 issue

The town of Hampi, located east of Goa in the state of Karnatika is a cluster of ruins set among an amazing geological mashup of gigantic boulders. Harper's collaborated with Muse, a designer brand store in South Bombay owned by Tarini Jindal of the Jindal Steel family.

We flew down on a chartered place and were treated like royalty at the Jindhal family guest home, which was more like a 5 star hotel.






Fashion editors: Ekta Rajani & Kavita Lakhani
Model: Smita Lasarado
Hair and Makeup: Tanuja Dabir
Stylist: Sonam Chawla
Producer: Mehak Puri
Stay and Flight courtesy: JSW Steel

Harper's Bazaar - "Subtle Sheen"

This story was shot in the magnificently restored Bhau Daji Lad, Mumbai's oldest museum. A beautiful but challenging place to shoot, we needed to avoid all the glass display cases. We managed to do this by shooting at a relatively low angle and lighting the space so that the background would fall off but the foreground and ceiling were illuminated.

Background was lit by strobe with reflectors and the model was lit mostly with a softbox or beauty dish on a boom stand.

The museum is a fantastic place to learn about Bombay's unique colonial history.











Fashion Editor: Ekta Rajani
Model: Tinu Verghese
Makeup & Hair: Tanuja Dabir
Fashion Stylist: Allia Al Rufia
Photographed by Martin Prihoda for Harper's India
Location: Dr Bhau Daji Lad Museum, Byculla, Mumbai